Andrea
Winkler |
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Sculpture
Installation |
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Videographie |
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Books |
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Texts |
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Biography |
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legal/privacy | |||
News: |
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»Vertigo
- Video Scenarios of Rapide Changes«, curated
by Urs Stahel, Fondazione MAST,
Bologna
With: |
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Rencontres
Internationales Paris/Berlin, HKW–Haus der Kulturen
der Welt, Berlin 09.04. – 14.04.2024 |
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Milan
Machinima Festival MMXXIV, Milan 11.03. – 16.03.2024 |
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Stefan Panhans &
Andrea Winkler, Lecture and Film Screening, class Susan
Philpsz, HfbK Dresden 17.01. – Lecture Hall, Güntzstr. HfbK Dresden |
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Freeroam
À Rebours Mod#I.1, VRAL #81, Milan Machinima
Festival 05.01. – 18.01.2024 |
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Visual
Art Award Aargauer Kuratorium, opening
ceremony at Aargauer
Kunsthaus exhibition 01.12.2023 – 07.01.2024 |
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Kassel Documentary
Film and Video Festival, opening compilation and official
selection, Kassel 14.11. – 19.11.2023 (online )until 26.11 |
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Experimental
Superstars, Novi Sad Official Selection 09.11. – 11.11.2023 |
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»Rencontres
Internationales Paris/Berlin – Nouveau Cinéma Et Art
Contemporain«,
CWB, Paris
31.10. – 05.11.2023 |
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»Anima
Overdriiiiive«, curated by Christian Nae, solo show at
Boderline Art Space, Iași,
Romania Opening 03.11.2023 |
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»Whispers of the
Posthuman World: Dancing with Machines amidst Unstable Skies«,
Contemporary Art Centre Baia Turcească, Iași Opening 06.10.2023 |
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39. Kurzfilm Festival
Hamburg German Competition 06.06. – 11.06.2023 |
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69.
International Short Film Festival Oberhausen Nominated for the MuVi Award 26.04. – 01.05.2023 |
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Kathrin Busch: BECOMING WEAK: AESTHETISC OF THE FEEBLE EXISTENCE, Texte zur Kunst, issue 130 5/22 | |||
Selected exhibitions and projects: | |||
»Anima
Overdriiiiive«, curated by Christian Nae, solo show Boderline Art Space, Iași, 2023 |
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»Textile Industry
& Artists in Residence« Gewerbemuseum Winterthur, Switzerland, 2023 |
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»Holding
Pattern«, curated by Tom McCarthy and Anne
Hilde Neset, Kunstnernes Hus, Oslo 2022 – 2023 |
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»Paula
Modersohn-Becker Preis« Große Kunstschau Worpswede, 2022 – 2023 |
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»Anima
Overdrive«, solo
exhibition Kunstverein Rosa-Luxemburg-Platz, Berlin,
2022 |
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»Stealing the Stolen«, donaufestival, Krems, 2022 | |||
»Something
Between Us«,
Kunsthalle Nürnberg 2022 |
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The Pow(d)er Of I Am Klick, Klick, Klick Klick, and a very very bad bad musical, solo exhibition at HMKV–Hartware MedienKunstVerein, Dortmund, 2021 | |||
»TaDA, Textile and Design Alliance«, Ostschweiz, 2021 | |||
»UM
Festival für zeitgenössische Kunst, Musik und Literatur«,
Uckermark,
2021 |
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»Rencontres Internationales Paris/Berlin – Hybrid Spaces«, Louvre, Paris, 2021 |
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»Radikale
Passivität: Politiken des Fleisches« nGbK– neue Gesellschaft für bildende Kunst, Berlin, 2020 |
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»Zin Ex – From Abstraction to Alogrithm«, Tabakalera – International Centre for Contemporary Culture, San Sebastian, 2020 | |||
»Something
Between Us« KAI 10 / Arthena Foundation, 2020 |
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»Welt in Teilen«, Kunstverein St Pauli, Heiligengeistfeld, Hamburg, 2020 | |||
»The Process of Becoming«, Galerie im Koernerpark, Berlin, 2019 | |||
Shortlist Haus am Kleistpark Award, Berlin, 2019; | |||
»HOSTEL
Sequel #1: Please Be Careful Out There, Lisa Marie –
Hybrid Version«, transmediale festival|face value,
HKW–Haus der Kulturen der Welt, Berlin, 2018 |
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ANDREA
WINKLER, edited by Kathrin Busch with contributions
by Jan Verwoert, Christian Egger & Kathrin Busch, de/e:
Cologne |
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»Untitled«,
Aargauer Kunsthaus, 2017 |
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»Perfect
Coffee«,
Devening Projects, Chicago, 2017 supportet by IFA |
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»Prince
Noir«,
HD-video, Repérage Artistique #3, selected
by ICEP (Forum des Instituts Culturels Etrangers à Paris)
Résidence Cité Internationale des Arts Paris, 2017 |