| Andrea
                    Winkler | |||
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| Sculpture
                    Installation | |||
| Video
                    Videoinstallation | |||
| Books | |||
| Texts | |||
| Biography | |||
| Shop | |||
| News: | |||
| Studi Aperti – Open
                  Studios, Villa Massimo, Rome 14.10.2025 with | |||
| »2. DIGITAL ICON – International Festival For Contemporary Visual Media«, Tessaloniki 24.–28.09.2025 | |||
| »TaDA – Together«,
                  Werk 2, Arbon 14.09 – 26.10. 2025 An exhibition on collaboration and experiments between art, design, architecture & the Eastern Swiss textile industry | |||
| »Off The Radar –
                  dezentral – Music and Art« City Festival Hamburg 11.–14.09.2025 | |||
| Rome
                          Price, Villa Massimo 2025–2026 | |||
| Videonale.20,
                  Kunstmuseum Bonn and in 6 locations in the city of Bonn 11.04–18.05.2025 with Mark Bain | Mareike Bernien & Alex Gerbaulet | Pauline Boudry & Renate Lorenz | Viktor Brim | Chto Delat | VALIE EXPORT | Ken Feingold | Beatrice Gibson & Nick Gordon | Gorilla Tapes | Philipp Gufler | Akiko Hada | Lynn Hershman Leeson | Ida Kammerloch | Stéphanie Lagarde | Alwin Lay | Lukas Marxt | Angelica Mesiti | Ana María Millán | Marcel Odenbach | Stefan Panhans & Andrea Winkler | Dani ReStack & Sheilah ReStack | Julia Scher | Maryam Tafakory | Ana Torfs | Jan Verbeek | YAN Wai Yin | Anna Zett | |||
| »Holding Pattern«,
                  curated by Tom McCarthy and Anne Hilde Neset, HMKV–Hartware
                  MedienKunstVerein Dortmund 14.03–27.07.2025 with Stan Douglas, Harun Farocki, Åke Hodell, Stefan Panhans & Andrea Winkler, Susan Philipsz and Elizabeth Price | |||
| 71. International
                  Short Film Festival Oberhausen 29.04. – 04.05.2025 | |||
| »Oh-oh-oh,
                        Yeah?«, solo exhibition at Drawing Room Hamburg 20.02. – 27.03.2025 | |||
| LOOP
                          fair, Barcelona 19–21.11.2024 | |||
| 53rd
                        Kyiv Short Film Festival 13–17.09.2024 | |||
| »Next Level – Festival
                  for Games«, Dortmund Sceening »Serious Games« + artist talk 14.11.2024 | |||
| Berlin
                    Art Week Videoart at Midnight BAW Garden, Gropius Bau 13.09.2024 | |||
| Kunstfonds
                        SOLO Project-Award by Stiftung Kunstfonds Bonn 2024 | |||
| Rencontres
                            Internationales Paris/Berlin, HKW–Haus der Kulturen
                            der Welt, Berlin 09.04. – 14.04.2024 | |||
| »Vertigo – Video
                  Scenarios of Rapid Changes«, curated by Urs Stahel, Fondazione
                  MAST, Bologna 09.02 – 30.06 (extended until 14. 07.2024) | |||
| Stefan Panhans &
                  Andrea Winkler, Lecture and Film Screening, class Susan
                  Philpsz, HfbK Dresden 17.01. – Lecture Hall, Güntzstr. HfbK Dresden | |||
| Visual
                  Art Award Aargauer Kuratorium, opening
                ceremony at Aargauer
                  Kunsthaus exhibition 01.12.2023 – 07.01.2024 | |||
| Selected exhibitions and projects: | |||
| Holding
                            Pattern, curated by Tom McCarthy and Anne Hilde
                          Neset, HMKV–Hartware MedienKunstVerein Dortmund, 2025 | |||
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| Videonale.20,
                            Kunstmuseum Bonn and in 6 locations in the city
                          of Bonn, 2025 | |||
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| »Oh-oh-oh, Yeah?«, solo exhibition at Drawing Room Hamburg, 2025 | |||
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| Vertigo
                            - Video Scenarios of Rapide Changes, curated by
                          Urs Stahel, Fondazione MAST, Bologna, 2024 | |||
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| »Anima
                            Overdriiiiive«, curated by Christian Nae, solo show Boderline Art Space, Iași, Romania, 2023 | |||
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| Kathrin Busch: Becoming Weak: Aesthetics of the Feeble Existence, Texte zur Kunst, issue 130 5/22 | |||
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| »Textile Industry
                  & Artists in Residence« Gewerbemuseum Winterthur, Switzerland, 2023 | |||
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| »Holding
                            Pattern«,  curated by Tom McCarthy and Anne
                          Hilde Neset, Kunstnernes Hus, Oslo 2022 – 2023 | |||
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| »Paula
                            Modersohn-Becker Preis«, Große Kunstschau Worpswede, 2022 – 2023 | |||
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| »Anima
                      Overdrive«, solo
                          exhibition Kunstverein Rosa-Luxemburg-Platz, Berlin,
                          2022 | |||
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| »Stealing the Stolen«, donaufestival, Krems, 2022 | |||
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| »Something
                  Between Us«,
                  Kunsthalle Nürnberg 2022 | |||
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| The Pow(d)er Of I Am Klick, Klick, Klick Klick, and a very very bad bad musical, solo exhibition at HMKV–Hartware MedienKunstVerein, Dortmund, 2021 | |||
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| »TaDA, Textile and Design Alliance«, Ostschweiz, 2021 | |||
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| »UM
                      Festival für zeitgenössische Kunst, Musik und Literatur«,
                    Uckermark,
                          2021 | |||
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| »Rencontres Internationales Paris/Berlin – Hybrid Spaces«, Louvre, Paris, 2021 | |||
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| »Radikale
                      Passivität: Politiken des Fleisches« nGbK– neue Gesellschaft für bildende Kunst, Berlin, 2020 | |||
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| »Zin Ex – From Abstraction to Alogrithm«, Tabakalera – International Centre for Contemporary Culture, San Sebastian, 2020 | |||
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| »Something
                      Between Us« KAI 10 / Arthena Foundation, 2020 | |||
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| »Welt in Teilen«, Kunstverein St Pauli, Heiligengeistfeld, Hamburg, 2020 | |||
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| »The Process of Becoming«, Galerie im Koernerpark, Berlin, 2019 | |||
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| Shortlist Haus am Kleistpark Award, Berlin, 2019; | |||
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| »HOSTEL
                      Sequel #1: Please Be Careful Out There, Lisa Marie –
                      Hybrid Version«, transmediale festival|face value,
                    HKW–Haus der Kulturen der Welt, Berlin, 2018  | |||
| ANDREA
                    WINKLER, edited by Kathrin Busch with contributions
                  by Jan Verwoert, Christian Egger & Kathrin Busch, de/e:
                  Cologne   | |||
| »Untitled«,
                      Aargauer Kunsthaus, 2017  | |||
| »Perfect
                      Coffee«,
                    Devening Projects, Chicago, 2017 supportet by IFA  | |||
| »Prince
                    Noir«,
                  HD-video, Repérage Artistique #3, selected
                  by ICEP (Forum des Instituts Culturels Etrangers à Paris)
                  Résidence Cité Internationale des Arts Paris, 2017  |